We're in need of change. While we figure it all out, please refer to our labels and links to your left. Many, many thanks for all the continued support and interest! If you would like to stay informed on our whereabouts online and off, feel free to visit John's Delicious or my Multiply page for, if not frequent, general updates. In the meantime this blog will remain up and will eventually redirect to our future projects.
Until then...
Regards, Connie & John
We just came back from a grueling but extraordinary trip from S. Korea. In 6 weeks, we discovered much about ourselves as much as we did about Korean culture while away. Before I post on some interesting things we found and experienced there, I'll start with this great video from the recent Handmade Music event in Brooklyn to kickstart some new blog posts for 2010. It's strange to head into the new year so late, but reassuring to find the rhythm of DIY again.
I will have more exciting events/projects to share very soon. It's almost Spring!
- C
We'll be hosting an afternoon ring mod workshop next Saturday, December 12, in Zurich. The venue is just outside of town at Rote Fabrik / Dock 18. Thanks to the kind SGMK crew for organising this event. Other workshops will include music production methods, theremin building and a PureData / Arduino how-to. We're looking forward to checking these out as well as helping others build their own ring modulators, levels will be beginner to advanced and we will set up some instruments for testing and play.
DIY Night 2009
- C
It's a very nice feeling when you see someone playing something you've made. John had a big smile last night when he watched this video...
More about John's guitar can be found in our archives here.
Thanks for all Mister Theau!
- C
Just posted on my mog some new adventures we had in Ticino, the Italian part of Switzerland, at the end of August. Again with the SGMK organised DIY events, we had a great time. Below some excerpts,
"Back in May, one of the organisers of the event told me about being nestled in the Italian-Swiss countryside - a DIY get together in summer, intimate and relaxed. Our busy estival plans happened to slow down at the right moment and here we were, undaunted by the new introductions needed to meet this group of 40+ diverse individuals who had worked hard to finally 
present their projects to local media and friends/family at the end of the week BBQ."
"We were so privileged to attend, even if only for two nights. We 
were welcomed by kindest of electronic enthusiasts, artists, friends, DIY orchestras, tupperware techno raving, terrifying microscopy specimens, arduino micro-controlled LED creations, a mega amp built with a modest microchip, ominous black scorpions used for visual display, late night playlist battles, tent camping in a storm..."
More here. Photos are all here.
- C
I recently attended a presentation and demonstration from one of my favourite living artists, Theo Jansen. I was thrilled to see him in person and was impressed with his bare bones engineering, his thoughtful creation 
process and his use of everyday materials (pvc tubes, cable ties..) to create such beautiful, moving creatures.
Each Strandbeest follows an organic evolution, a natural process that makes Jansen's creatures 
come alive elegantly and poetically. They roam the beaches in Holland and the world now. We were treated to a live demonstration of the Animarus Umerus after two consecutive presentations, the spectators gasped with delight, applauding until the end.
The best part, he signed my latest issue of MAKE magazine.
MORE ABOUT THEO JANSEN & STRANDBEEST HERE.
Just did a write up on the Poolloop festival that was held a little while back in Zurich.
"I was having a late dinner Friday evening. The location was a government subsidised, graffiti covered venue in greater Zurich. Called Rote Fabrik (Red Fabric), this alternative enclave was fitted with several function rooms, restaurant/bar and a lovely view of Lake Zurich.
It was early evening, I was feeling a little lonely, the night before became morning too soon and I was physically drained (a recovering sprained arm and a tense 10km late night bike ride). My usual social tendencies were fragile on this 2nd day, intimidated even. I thought about the nature of traveling alone, about making conversations with new people for need, for the feeling of being part of a whole; when in fact you were a stranger, strange to all around you. As I pondered the ups and down of attending a festival by myself (which I have done numerous times before) a smile arrived at my table. He was the physicist guy that caught my eye earlier among the late afternoon crowd already soldering despite hangovers and the humid summer heat. Hooded in bright green, he had meticulously twisted and turned the knobs of a DIY tupperware housed noisemaker."
"The setting was the SGMK (Mechatronicart Society) workshop table that I have come to know quite well this past year. As he continued to 
make beautiful noise, calculated and seemingly comprehensive, I sidled beside him and opened my bag. In hand I had my homemade ring modulator, my recently gifted Gakken SX-150, and some homemade cables made for all required uses. We discussed for some time before I wandered through the event organisation as they prepared for another long festival night to come. Alone, I navigated to the table of where I sat now, a view of the lake and the many groups of which I did not belong. So, here he was again prepared to join me, a welcome sight and wonderful company for the downtime one has in making friends in a foreign city. We ate spaghetti, the popular reasonably priced dish of the day, and walked together to the opening subversive film screening afterwards. It began with two gay pixels in love."
We attended the DIY Festival in Zurich a while back. It was the fourth year it's been held and I have to say they really did a good job and I look forward to returning. I'll have to brush up on my German for next year.
For more about our trip, visit my other blog.
- C
Max does it again! Beautiful little mini synths...
"the last drones built for my friends, playing with me in Elisha Gray band.
on the left FESTER, the optical theremin.
on the top Ag0 LOLLOSO, the weird sound generator.
on the right WHAT A MESS(INA), the atari punk console."
(Photo by Max Farnea, Source: MAKE magazine)
Hello world, its been some months since we have completed anything in the realm of homemade electronics. Basically we have had our world turned upside down lately, I am now living in a whole other country working at a new job and trying to do as much Fotosis related work as possible on my off time when I come back to Lyon on the weekends.
This project was a custom order that challenged us to develop several new systems, most notable a sample and hold circuit and a micro-controller based trigger pulse generating system.
There are too many controls to list individually and descriptions would be difficult because I don't think it would be possible to find similar controls on another system to compare them to. This will probably be the last time I try to make an all in one unit this complex due to the time it took to develop build, test and debug the various circuits and programs that it contains. I feel in the future it would be better to build each of the systems individually and house them in separate enclosures that could be attached to some sort of board that gives them power etc.
Anyway here it is in action Fotosis No. 007...
There are still two more sections to complete, a CV interpretation module that will take in a control voltage and convert it to trigger pulses that can be used with the trigger pulse system and also a rocker pedal that will control the pitch of the oscillators as well as several other functions.
The sound range from more conventional synth noises to full on noise as well as different patterns of beeps and tones created by the trigger pulse generator. It would be the type of instrument ideally suited to someone wishing to create strange little samples for use on their tracks or it could be used live as a bizarre noise generating unit.
So essentially I am not going to go into details regarding the technical elements because there are just too many, so please just bask in the glory of this weird and interesting creation.
I've been an avid reader of Clive Thompson for some time. Being a subscriber and a fan of Wired magazine since the late 1990's, his writing always spoke to me and his most recent article is no exception. Thompson recently updated his blog to coincide with the publication of his commentary on 'How DIYers Just Might Revive American Innovation' in the latest 16:03 issue (Wired's 15th Anniversary).
I know it has nothing to do with music nor am I (or John) American, but it speaks to all people who are venturing out on their own to create art, a way of life, a business and a new set of rules to work by. The DIY culture is one we obviously feel close to being the founders of this project, Fotosis, and our various other hobbies. As someone with no formal education, I know that skills are in demand, that there are many who are out there doing things that weren't taught but learned, experienced firsthand, hands dirty and curious. Let's keep this innovation going then and hope the movement avoids being pigeon-holed into a mere trendy past-time and remains a true revolution.
From blog: "Can you fix things that break in your household? Probably not. Our schools systematically stream "smart" people away from working with their hands, and I think that's a huge problem for the US, on pretty much every level -- commercially, globally, intellectually and spiritually, really."
From Wired:
"The decay has been rapid. Only a few decades ago, most serious adults were expected to be fluent in basic mechanics. If your car or stove or radio broke down, you opened it up and fixed it. "Magazines like Popular Mechanics in the '40s and '50s would publish projects like an automated pig-feeding trough, and they assumed you had the tools and skills to make it," says Dale Dougherty, editor and publisher of Make magazine.
But as we migrated to an information economy, those skills began to seem as quaint as, well, mechanical clocks. America's bright future, we were assured, wasn't industrial. It was in the hands of "symbolic analysts" -- folks who sat at desks and thought for a living. In the '90s, the rise of the Internet sent this post-mechanical age into a sort of giddy overdrive. Remember Nicholas Negroponte urging everyone to "move bits, not atoms"?
But when we stop working with our hands, we cease to understand how the world really works."
Read the blog post on Collision Detection.
We Make Money Not Art has an interesting interview with Helsinki based Pixelache organiser Juha Huuskonen. Huuskonen is a multi-talented DJ, artist and software designer, and according to the article, also deemed one of the "Godfathers of the Finnish media art mafia". Wow!
The Pixelache 'movement' has certainly taken off successfully since its' last 6 years. There is even a Pixelache University with monthly events throughout the network.
For those of you unfamiliar, the Pixelache festival brings together media and technology creations and ideas through various events and festivals in several international cities including Paris, Montreal and New York. Like most events, there are informative seminars, concerts and related exhibits. We tried to attend the last one in Paris (Mal au Pixel) but unfortunately couldn't even though we were in the city around the same time. Let's hope we have the opportunity this year!
Here are some excerpts from the interview,
How Pixelache began:
"The first Pixelache festival in 2002 was put together in an improvised manner, with a tiny budget of a couple of hudred euros. The purpose was to bring local active people together to discuss and present experimental work that fell between the categories - not art, not design, not research, but kind of all of these at the same time. This type of work is of course shown in all kinds of international festivals (today even more than a few years ago) but the other special thing about Pixelache has been that we've focused on showing work by young, emerging creators and taking risks by showing work that is still in the concept or prototyping stage."
Pixelache in other countries:
"Our international events started in 2003, when we organised Pixelache festival in New York and Montreal. Both festivals were organised on a shoestring budget, with a lot of effort and enthusiasm from both organisers and artists. We carried most of the necessary gear and artworks as luggage, organised free/very cheap accommodation and traveled on a Greyhound bus between New York and Montreal.
The events in New York and Montreal brought together a quite unusual combination of local organisations that all had a lot of influence in planning the festival program. In addition to international guests, both events featured a lot of local artists, many of whom were later invited to Helsinki. We have maintained this way of working ever since. The model is sort of opposite to ISEA: instead of a separate international jury, the local organisations are in charge of the program, they never have to present projects that they don't consider relevant for the local context. The program decisions are aided by an on-going discussion between various partners within the Pixelache network."
Read the entire interview here at WMMNA.
This is the second post concerning the bar set order, we decided to throw in some little extras, a cardboard keyboard and a cardboard amp.
The keyboard is a simple enough affair as it is based on a simple circuit that involves a 555 timer chip to produce a square wave. The casing was created by laminating lots of layers of cardboard together using glue and wood screws. In the video below we are playing the keyboard into the ring modulator of one of our earlier instruments, Fotosis No. 003. The resulting sound is the effect of the square wave noise section from Fotosis No.003 being fed into the carrier input of the units ring mod. and keyboard on the main input.
The amplifier is actually three amps and three speakers in one box. The amps are LM386 chips providing 2.5 Watts each. This set up allows us to play three separate devices into the amp where each device will have its own input, volume control, amp and speaker.
Part one of this post can be viewed here.
- J
I've been admiring Max's work since (again, I know I am obsessed with them!) CDM posted about this incredible modular synth from their flickr pool back in August. Here is the "The Sound Destruction Unit" if you haven't seen it in action.
I have just conducted an interview with not only Max the creator, but also Audrey his wife and fellow artist. These two co-exist with music making, circuit bending, robots, recycled art, dancing, photography and japan. Amazing. It's an interesting and long read, it's in full over on my mog.
Here's more,
"MAX: since I was younger, in the early 80s, electronic music, video games and home computing were my first interests and I lived electronics and computer technology always with a creative point of view. I went deeper in my hobbies studying for some years electronic engineering and taking piano lessons for seven years. Thanks to my studies in electronics I went addicted to robotics and I built a mini-robot for a couple of national competitions."
"AUDREY : my interest in making art with recycled stuff has started when I was watching Max making his electronic experiments and all the junk or surplus material he left on the table. Since now I like finding shapes like faces or body parts in every plastic or metallic piece I take in my hands. After I find such shapes, assembling them is really a natural process. It’s funny when you image me into skip diving in Verona, really funny indeed, but it’s incredible how many unused things can be found simply at home. One of the most beautiful aspect of this kind of art is giving a second life to things...Watching max working on his instruments I’ve found a lot of ideas to make my robots more alive and interactive with little lights and circuits."
"MAX : More than half of my retro and vintage stuff was mine when I was child or teenager. Other hardware comes from friends or eBay bids. The line in balancing the old and new when I’m making a new instrument is always different and is traced putting the old stuff in a modern context, and if needed ignoring also the original rules on which it was based on."
I am really impressed with these two. Everything they make is done in their spare time, and not for profit (though they are both planning to sell work in the future). I wish them the best and hope that they find more avenues to show off their talent.
For more about Max and Audrey. My mog interview.
- C
I am a big lover of cardboard made items. This converted pizza box scratchtable is so easy and quirky.
"It turns out that if you cut a little square hole in one side of a pizza box and a circle out of the other side, then tape an optical mouse so that its sensor faces the hole, you can pin the cutout circle over the hole facing the optical sensor and use the resulting contraption to scratch digital music using DJ software."
The how-to is originally from the great Instructables site and the blurb is from the Listening Post, Wired blogs.
Click here for the full instructions and video.
Can't wait to try this!
- C
I'm probably way behind the curve with this as this software has been around for years but I've only just started playing around with it the last few weeks and am feeling very proud of my first creation (synth / multi effects processor). The software is called Pure Data, there is a wikipedia site here which will tell you all the background you need to know regarding it.
It is free to download from the Pure Data site and is supported on Windows, Linux, Mac some OS's I've never heard of and there's even a version that works on PDA's.
Pd is described as "a real-time graphical programming environment for audio, video, and graphical processing".
Unless you are fairly computer literate or a programmer don't expect to get much out of it straight away. The best approach is to download a few simple patches created by others and play around with them for a while to get a feel for the GUI and then explore the examples that can be found in the help browser. Start by building an oscillator [osc~] then adding volume control [*~] and reverb using the freeverb [freeverb~] object. Using pd you can build virtually any sound or effect you can imagine there is even a [moog~] object that emulates a Moog resonance filter.
Pd can also be controlled using external midi devices and firmware can be downloaded which allows you to control pure data with the arduino micro-controller board so potentially you could build a reconfigurable personalized music machine with your computer creating the sounds.
Again something from the musicthing blog. A new synth orientated site that purports to only post about totally out their electronic oddities. Their manifesto states no "links to fansites for Kraftwerk, Klaus Schulze, Can, Tangerine Dream, Ultravox, Gay Fairy Twinkle, or any other hideous 70s or 80s funny-haircut nostalgia keyboard act.... All tech must be ODD".
The site is called Deviant Synth and I will be checking it often thats for sure. The site creator says they are looking for contributors and anyone interested with a wordpress account can add content to the site.
-J
I came across Yuri Landman several months ago while doing some online research into alternative guitar construction. At the time I thought information on Yuri was limited to a wiki entry on him as I somehow missed his official website hypercustom. So I was thrilled today to find a link on the musicthing blog to a pitchfork article all about this very interesting artist. The article describes the reasoning behind many of his guitars features and the logic he has applied to his instruments tuning and the materials he likes to use.
He has recently been creating unique guitars for a number of bands including one of my all time favorite groups Sonic Youth.
His guitars look amazing, I cant wait to hear the sounds these wonderful instruments produce. I love to read about other people exploring new possibilities in the realm of electro acoustic music as it makes me feel more positive about my own experiments in this area.
-J
Spotted this fantastic Arduino based synthesizer / sequencer on the make blog this morning. The official website for this project can be found here. The links include video of the device in action is well as code and schematics in case you wanted to build your own APC (Arduino Punk Console) not to be confused with the 555 Timer based Atari Punk Console (APC) which is an entirely different but totally fun weekend noisemaker project. Be sure to check out the rest of their website Beavis Audio as they have lots of other cool audio devices and effects.
I have spent hours playing around with the Arduino board since I purchased one almost a year ago today. Our first instrument an optical theremin we called Fotosis No. 001 used one to control various effects. The possibilities this simple USB cross platform micro-controller presents are almost limitless (Well not really limitless) and I love to see what lots of people around the world is doing with this great tool. I also like the fact that this device is getting the attention it deserves from websites like Make so more people can be turned on to its potential.
-J
I thought it would be a good idea to do a short post showing anyone interested where our sound clips can be downloaded. I use an upload service called in.solit.us from which we usually embed mp3's but if you want to download the files feel free to do so they can be found here. We release everything we do under the creative commons 3.0 license so you can remix, reuse and redistribute the files with our blessing.
-J
